It is a long time since I saw that TNG episode, but I remember it as a respectful treatment of the subject.
Any television series in a modern setting in which characters that are portrayed as "good guys" use torture to achieve their goals is despicable propaganda.
There has been more of that lately.
I think I know the reason for this. Gene Roddenberry was a WW2 veteran i.e. the Geneva Conventions had a personal relevance to him. In the wars of the past you had to assume that many of your own guys would be captured by the enemy.. and that you might end up being one of them. In that scenario a strong international condemnation of torture suddenly looks way more appealing. In contrast, America's modern "wars" (I do not think these one-sided affairs deserve that name) do not lead to a noticeable number of American POWs. And you no longer have to worry about being drafted yourself either.
I think the foundation of the acceptance of torture in contemporary America is the firm conviction of the supporters that they will never be at the receiving end.
This type of thinking is unfortunately widespread among humans everywhere. It is never moral and often unwise to support a system you would not support if you did not have a favorable position within it.
One of the empirically observable facts is that faith in public institutions is a lot lower today than it was back then. I think this phenomenon cuts in the opposite direction compared to what a lot of people on HN would suppose. When people have less faith in the system, they have less faith that the system will protect them, and are more willing to embrace characters that will act outside the system to get the job done. Hence the popularity of the Jack Bauer character: the guy who ignores taboos against torture or procedural limitations like warrants in order to get the job done and save the day.
That's starkly different to the world conceived of in Star Trek. Star Trek is a world where government (the Federation) is morally virtuous, and institutional rules like the "Prime Directive" are to be followed rather than broken.
Is this an intentional reference to John Rawls' concept of the 'veil of ignorance' laid out in Theory of Justice? If not, you would definitely enjoy the ideas in the book.
That's a great point. America doesn't do wars anymore. They do conquests. And the American public at large seems perfectly fine with it (or they wouldn't allow it).
How quickly morality fades ....
By contrast, what's the purpose of Fringe's torture? Am I actually supposed to find this entertaining? Honest, if leading, question.
I remember a security guard near the finale, but that's about it. Was it more common than my memory tells? What does that say about how little it impacted upon me?
Any television series in a modern setting in
which characters that are portrayed as "good guys"
use torture to achieve their goals is despicable
propaganda.
I must admit, though... when compared to the cartoonish patriotic jingo-fied violence of the 1980s, where Rambo and the A-Team defeated countless enemies in settings that always felt like a walk in the park... perhaps the torture thing is the lesser of the two evils?
The 1980s seemed to want to tell us that war was a melodramatic, often bloodless struggle between the white-hatted good guys and the black-hatted bad guys.
If there's a small silver lining to today's torture-promoting crap, at least it's that war is portrayed a bit closer to being the horrible, bloody, morally-confused hell where the "good guys" often look and act an awful lot like the "bad guys."
Doesn't take away from your point at all. Totally agree that when torture is portrayed as anything less than evil, there is a very serious problem.
At least the heroes in those implausible stories behaved like heroes, rather than villains who you only identify with out of some jingoistic team spirit.
I think the root of the problem is more about torture being portrayed at all.
Even if you portray it a the evilest thing, you are still playing with the spectator's bowels and disgust thresholds in ways that cannot bring anything good.
There is room for torture depiction is some niche genres, like horror or sadism (e.g. Salo) but I can't understand how it should come to mainstream media as TV series and take such a big room.
Just like sex and pron: it is ok, but please let it be marginal.
I'm stunned by how torture has became common in TV shows, at least since "24". But is it propaganda? to me, it was more a way to please the audience.
That, or it's purely coincidental that "24" debuted following disclosure of Bush's torture programs, and "Person of Interest" debuted ahead of common knowledge of the extent of mass surveillance.
It may not be propaganda officially ordered and authored by some Ministry of Information, but it's the same thing no matter how many layers of abstraction it goes through: a way to shape the narrative and facts that inform the common person and allow them to form an understanding of an issue.
Cop shows are all about flailing around for a few minutes, followed by a hacker/database identifying the subject and dispatch of the SWAT team. If the computers are down, the good guy beats up the suspect. If the show is on CBS, they do some sort of amazing thing using their MS Surface while driving a Chevy-something. (Bad guys like Fords and Chryslers)
Talk to a real cop. Whiz bang technology is the exception, not the rule. Successful detectives usually use their connections with the community to put two and two together.
Violence in its ultimate form. A viewer who associates him/herself with the protagonist gets the feeling of being a righteous God exerting the punishment. An irresistible catnip for "good people with values".
In "24" it was some scene where Jack Bauer had to shoot and kill one of his own guys in order to not blow his cover. I tapped out.
In "Boardwalk" I lasted all the way to some scene where some poor sap got buried up to his neck on a beach and then they took a shovel to his head. That was it for me, no thanks.
It makes me think of something I recently read:
http://borderhouseblog.com/?p=11663
No torture in this one, but... well.
https://archive.org/details/HowManyFingersWinston-NineteenEi...
This in turn seems to be directly inspired by Nineteen Eighty-Four. When Winston is being tortured, O'Brien puts up four fingers and insists (under torture) that Winston sees five.
I was utterly baffled by the top comment's focus on Star Trek (I figured out what "TNG" meant) when there was no mention whatsoever in the article.
Slate's got a good discussion of the piece:
http://www.slate.com/articles/arts/culturebox/2009/05/there_...
I say that because its not just the episodes its self, which is brilliant, its the fact that by the time you get to that episode it really means something. There is a hell of a lot riding on the torture of Sheridan. The TNG episode, while in itself brilliant, sort comes out of no where.
(Yes, Babylon 5 is my Linux/Mac. Of course there is opinion to the contrary, but Im openly deaf to them.)
You just have to say "no, I won't" one more time than they can say "yes, you will".
A line like Doctor Who's "everyone lives!" is very difficult to find in an american show.
(It's not that I have a problem with american fiction, I just find it curious)
“Heroes are important. Heroes tell us who we want to be but when they made this particular hero they didn’t give him a gun, they gave him a screwdriver to fix things. They didn’t give him a tank or a warship or an X-Wing, they gave him a call box from which you can call for help and they didn’t give him a superpower or a heat-ray, they gave him an extra heart. And that’s extraordinary. There will never come a time when we don’t need a hero like The Doctor.”
The Doctor is a wonderful call back to a science fiction time when humans could be rational. Sometimes violence was needed, but always when all other options have been exhausted. Since then, science fiction tends to dwell in the darker and dystopian aspects of humanity.
This idea that violence can be used to solve stuff is not limited to fiction, people use it in their everyday lives in America.
I'm always fascinated by how quickly situations in America will degrade to physical violence, or the threat thereof.
England's are sex and drugs.
I think that taking that as a "lesson" is a mistake. Its true that American fiction is pretty prone to relying on physical violence as the central form of conflict, but I don't think that's so much a lesson as a lack of creativity.
(Again, I don't think is a huge deal and I am not implying that people can't distinguish fiction of real life or something)
Action/adventure stuff definitely reaches for the gun pretty quickly.
Because it's clear (and you may be acknowledging) that violence is the best option in at least some circumstances. Otherwise, prisons, soldiers, and police officers wouldn't be necessary.
For example, if you want to stop a meteorite hitting Earth, do not use rockets attached to its surface, explode a huge nuclear bomb!
If you have to start the nucleus rotation, do not make any chemical reaction or engineering project, just explode a huge nuclear bomb!
If you are a multibillionaire that wants to solve crime, just personally punch criminals in the face!
And we're talking about fiction, not real life. I'm ok with spectacular, but I can't help noticing it :-P
See, how do you know you dont think that because of decades of the media tell you to think that? Not just that but American culture is gun culture rooted in the Wild West way of things. Look at how the gun nuts can even consider life without guns. Something weird, amusing and scary to many civilized countries.
Another inconvenient fact is sometimes it does work, and is an alternative to actual harm.
ETA: I'm surprised at how many here adhere to the notion "you can't ever know if the subject knows". We justifiably incarcerate people in peacetime, and kill people in war, on less information. As another poster noted: if the subject possesses a computer clearly connected with the issue, admits it's his, admits he knows the password, refuses to give the password, reveals the password under enhanced interrogation (with no physical harm done), and the password decrypts life-saving information, far better that than letting innocents die (or killing him putatively after the fact) because "torture isn't nice". Unwavering equalization of torture with crime (and invariant punishment thereof) is just as absurd as invariably criminalizing use of deadly force in defense of self or others. I get that sometimes/often/usually it doesn't work, but this broad insistence it is always criminal is absurd.
Firstly, the most likely outcome of torture is false information and multiple sources from the CIA to the FBI and various levels of rank[1] have said that one of the most problematic issues with torture based intel is the extreme amount of time it takes to verify anything because most of it is made up. So in a ticking time bomb scenario, torturing someone you think has information may make you FEEL better, but it is a waste of time (which, by default, is in short supply).
Secondly, and perhaps more importantly amongst this crowd, the logic doesn't work. Statistically speaking, ticking time bomb situations do not actually occur in real life and basing institutionalized acceptance of torture on a fantasy what if scenario is intellectual fraud. Georgetown law's David Luban has an excellent 2005 essay "Liberalism Torture and the Ticking Bomb"[2] that takes a deep dive into the psychology behind this argument as well as the real-world applications. It's linked further down in these comments by @elipsey[3].
[1] http://skeptics.stackexchange.com/questions/4498/does-tortur...
[2] http://scholarship.law.georgetown.edu/cgi/viewcontent.cgi?ar...
What made torture "work" in 24 is that Jack Bauer can't trust anybody else and never has more than one lead to follow at a time. Even though he talks to dozens of people who know parts of the big conspiracy, these people all magically disappear but only do so moments after they tell him one key bit of info that will lead him to the next clue. Sometimes they disappear by escaping custody, sometimes they disappear by being killed by the bad guys (or a traitor among the good guys), and sometimes they kill themselves. Through repetition of this pattern, we come to expect that each person who becomes the focus of Jack's attention will have some key bit of info he just has to get out of them. And he has to get that info from them now because he if he doesn't he'll never see them again.
Real life doesn't work that way.
In real life you have dozens, hundreds, or thousands of possible leads at any given time. Because the bad guys aren't supernaturally good at their job, you can go back and ask followup questions. You can check one guy's testimony against the next guy's. And some of the people you think seem like pretty good leads don't know anything useful. Torturing those people will generate false leads which lead you to torture more people who generate more false leads until your entire organization is in the business of serially torturing innocent people until they tell you whatever you seem to want to hear rather than the business of finding out the actual truth.
Each person you torture into generating false leads makes it more likely people will die because it ties up your organizational resources. It also is likely to generate massive blowback - some of the people you torture become or inspire new enemies, whereas people you are nice to might become friends and voluntarily help the investigation.
The problem with torture (from a point of view of information) is that the information is NOT reliable AT ALL. Someone under torture will often not only imagine facts, it will actually believe that they are true, and will confess false crimes, especially if presented by the torturer. There is a famous case in Spain in 1910 (a movie was made about it http://en.wikipedia.org/wiki/The_Crime_of_Cuenca) that two men were charged for a murder and tortured until they confess. 12 years later, the "murdered man" reappeared, having spent the time on a nearby town. There are more real life examples showing that people under torture says mainly what the torturer wants, not real life facts. Even in the presented case (the tortured subject truly has some critical information, which is somehow a "tricky case", real life is not that simple), the resulting information can be fake or inaccurate.
Information is more easily obtained in more reliable ways. Aborted terrorist attacks typically aborted in real life because someone will alert the authorities, or someone is being watched, not catching a "bad guy" and torturing it.
One of the fundamentals of the german law systems was broken, by a well-meaning person for practically no gain. The kidnapper later sued the police for the torture and won.
Now germany doesn't have a fruit of the poisonous tree doctrine so the conviction for the kidnapping later was based partially on the information gained in that one interrogation, but what if the kidnapper would walk free because of such a breach of law?
[1] http://de.wikipedia.org/wiki/Entf%C3%BChrung_von_Jakob_von_M... (sorry, german only)
But I bite. Let's say that thing you describe happens. People who torture should still get hard sentences, say 20 to 25 years. If they are not willing to sacrifice their own life and break the law to get the information, the torture is not justified.
In other words: torture should always be big personal sacrifice for the torturer.
You're going to subscribe to the idea mental torture is somehow less than physical torture? Nope, wrong. Ask anyone who has suffered from a mental illness and ask if their illness was less than a physical illness.
One example.
http://science.howstuffworks.com/five-forms-of-torture.htm#p...
Number 1 - Mock Executions
It's against international law and The U.S. Army Field Manual expressly prohibits soldiers from staging mock executions.
>and the interrogator knows the subject has it
Oh really? How does this interrogator know? With 100% probability?
I'm not familiar with interrogation techniques, but I'm going to go out on a limb and say we study them like we study most things, with DATA and FACTS, not just some comment on the internet saying "they say Tell me! or I'll say 'Tell me!' again!'" because there is a good incentive to get the technique right, and people know more than me.
The following pdf "http://www.cgu.edu/pdffiles/sbos/costanzo_effects_of_interro... makes the case much more eloquently than I can in this comment section. Reading the "Conclusion: Consequences and Alternatives" section is very instructive.
Also the guardian article "http://www.theguardian.com/science/the-lay-scientist/2010/no... is very instructive.
Furthermore, I feel using torture is inherently immoral and we should strive to achieve a better world even when we know that our adversaries are not playing by the rules.
As far as I know this has never been the case in the history of the use of torture in US interrogations. Before you make statements in favor of torture, you should probably have a specific case in mind or it's just being gratuitously in favor of torture.
And even then, it is not the most effective method of extracting it.
> Another inconvenient fact is sometimes it does work
Sometimes it might, but there is no set of observable circumstances from which it can be concluded that torture will be expected to work better than other methods, so it is never a reasonable choice even excluding any negative moral considerations (or negative impact of more indirect effects of adopting such methods as policy) applicable to the method.
> and is an alternative to actual harm.
"Enhanced interrogation" is a euphemism for methods that involve actual harm, not an alternative to them.
Given that professional interrogators have come out and said that the 'ticking time bomb' situation does not happen in real life, this argument is pointless. Argue about the kind of tortures that actually happen, don't construct a fantasy scenario to prove a philosophical ideal and then assume that covers the ordinary case.
http://www.theatlantic.com/daily-dish/archive/2007/06/scalia...
---
"Are you going to convict Jack Bauer?" Judge Scalia challenged his fellow judges. "Say that criminal law is against him? 'You have the right to a jury trial?' Is any jury going to convict Jack Bauer? I don't think so.
---
In the movies, the good guys know with near-perfect certainty that the bad guy knows where the bomb is, and there is only just enough time to get the information - thus, torture. If real-world torture worked under similar certainty, few people would be against it.
If one person tortures one other person and as a result found the bomb, he probably wouldn't get a very hard sentence. But in reality (as I understand it, I'm not exactly a subject matter expert), you'd be trying a guy who tortured 50 guys, 49 of which didn't know anything (or didn't break) or fed you disinformation, and then one guy who told you something actionable, that you plausibly could (but perhaps not) have learnt through other channels.
Fringe, like 24, is a work of fiction. The problem is not the series' content. The real problem is letting politicians and media use a work of fiction as an actual situation. Using "Jack Bauer" in the debate about torture is like using Planet of the Apes in the debate about space exploration.
But the rest of your comment is completely correct.
Basically, it's portrayed as a horrific, shocking action, made all the more horrible because of who's doing it. It's the first steps down a darker road for Peter.
So, yeah, not at all propaganda supporting torture.
When my sister asked me to described breaking bad series, knowing her so well, the first word that came out of my mind without seven thinking was: Violent.
It's hardly news that watching that kind of stuff gives you opinions that make you a worse person.
The way I see it, fiction has a dark side and a light side. The dark side normalizes and revels in darkness, to shock and allure the audience. The light side is shocked at the darkness and stands against it, to educate and enlighten the audience.
The average American male has access to all the porn he wants, UFC fights, FPSs, and so on. How is a network broadcaster going to shock and allure him in a way that will clear the censors? The list of options is short and torture is on it.
Fiction can only reflect or distort truth, because reality is neither positive and negative nor dark and light, the audience can only choose truth vs. fiction. Objective vs. subjective.
But really we're talking about memory. Lasting effects either conscious or below. The way to remember things is elaboration and repetition. In that way, distortion of truth can only exist when there's limited information, but far more effective is repetition over time AND limited information. You'll only remember the fake stuff.
Moral values are useless to us if we can't use them to decide things about hypothetical situations. In fact, the only way to build and solidify morality (which is memory) is elaboration, more novel experiences and information.
So with that context: Fiction isn't the problem, a stagnant homogenous diet of it is.
This is clear if you look at how television lags society as a whole when it comes to other social trends. By the time CBS aired a show with two major gay characters (Will & Grace in 1998), more than a third of Americans already supported gay marriage. This year, "Modern Family" will feature a gay marriage proposal, now that 55% of Americans support marriage equality. Going back further, the networks didn't air an interracial kiss until Star Trek in 1968, a year after the Supreme Court (itself an extremely reactive institution), struck down bans on interracial marriage. As of 2010, more than 1 in 6 new marriages was interracial, but you'd hardly perceive that watching network TV, where interracial relationships are still highly unusual. The Brady Bunch, which ran from 1969-1974, pioneered portraying a blended family on TV, with two previously-divorced parents, but by 1969 divorce was already mainstream and divorce rates were comparable to what they are today (they peaked ~1980). In 1960, when TV was still idealizing stay-at-home mom June Cleaver on Leave it to Beaver, a third of the labor force was women.
Given the track-record of television when it comes to other social trends, I think it's incorrect to say that television is "changing attitudes" towards torture. More likely is that it's reflecting attitudes in society more condoning of torture than they have been in the past.
CSI is set in Las Vegas. They show multiple murders on a typical night shift, yet in reality there is "only" a murder every 2 or 3 days. Of course it makes sense that they would actually show things happening, but I wonder how that feeds into people's perceptions of the world (The "CSI effect" is apparently a real thing, so people have taken some lessons from it, right?).
Influence goes both ways. Viewers influence decissions about tv content but that content influences viewers. If the loop is not broken somewhere it will spiral outof control.
Also, it could be depicting instances of torture more explicitly, without necessarily condoning them. At least in the "24" case, the "good guy" isn't a boy scout but a morally-ambiguous, gritty, hardened "any means necessary" warrior. As such, it's perhaps more realistic to depict him doing "bad guy" stuff to get things done.
This is a reasonably accurate depiction of torture, as far as I understand the science of it, and it's one of the few reasons torture might actually be used (i.e. at the orders of a complete psychopath.) - although Mal Reynolds seems unfeasibly good at resisting it (any evidence that this occasionally happens? I'd be interested to hear.)
[1] You can read about the character here: http://firefly.wikia.com/wiki/Adelai_Niska and you can buy the DVD of the original series here: http://www.amazon.co.uk/Firefly-The-Complete-Series-DVD/dp/B... (check out, in similar items, the film Serenity, which rounds off the plotlines from the series nicely.)
The Firefly gang fight and kill all the time, the first episode forces a pacifist (Book) to confront his objections to violence in a nontrivial moral situation. What they don't do routinely as a tactic is torture people.
A better counterexample would be Jayne and the fed: "Damn, and I was gonna get me a ear, too..."
X-Files had very different constraints which were only relaxed as the years went on and their budget increased. You can actually see the point in season 2 where the show is beginning to become popular enough that they start having better make-up and effects.
I did some research and "Fringe" pulled 3 million viewers. Awful.
"xfiles" pulled 10-30 million viewers. Not 1.0 to 3.0, 10 to 30. Never quite hit 30 but got close, like 27 million.
"Survivor" used to pull nearly as many as xfiles but now only pulls about ten million viewers in the USA (out of 314 million total population, according to google, so about 30 out of every 31 people do not watch Survivor)
The premise of the article is normalization of torture is a great way to become a blinding success like the x-files, because it mentioned the xfiles and that was a highly successful show. However, comparison of the numbers shows normalization of torture is a great way to repel around 97% of the viewers of a successful show, not to become successful.
> With seemingly inevitable theatrical success of 'Hostel' and recent mainstream movies such as 'Passion of the Christ' and 'Sin City' reveling in accurately depicting violence and torture, I started thinking what does that say about our society and what horrors are next in line for the viewers, hungry for more blood and suffering. And then it dawned on me - almost this exact situation was already predicted, in a dystopian 1966 sci-fi story by Robert Silverberg called 'The Pain Peddlers'.
> 'The Pain Peddlers' depicts a scary, bleak and sarcastic view of the future - in the early 00's, television is king. And what brings most money to TV networks is live surgery. In the story, the main character is a TV producer who got a very promising prospect - an old man suffering from gangrene and a family, too broke to take care of the hospital bill. The old man needs to have his leg amputated, and the family agreed to do it on live TV. It's the producer's job to convince the family to have the amputation without anesthesia - for more money, of course. Nothing brings in the viewers quite like real human agony.
> Remembering this story, which I read long time ago, was a very scary experience for me, because... in 1966, when it was written, it was pure fantasy - the notion of something like that actually happening never occurred to Silverberg or his contemporaries. But does it sound that incredible now? With TV viewers getting tired of same-old reality shows and public's growing hunger for violence, how long until a new reality show depicting real surgery appears on, say, HBO? Probably not right away. But I can definitely see something like that happening, not too far away in the future.
In fact, I remember being somewhat shocked by Ryan's follow-up, "The Unit", which seemed much more pro-violence and torture (perhaps through some influence of David Mamet).
Batman and Robin have transformed from tights wearing guy's saying holy rusted metal to driving military hum-Vs with gatling guns.
The joker has transformed from a goofy prankster makeup wearing guy to a all out sociopath who slices happy faces into people with knives.
Sure, comic books move to a different ground later, and the Joker in particular moved to be more of a harmless clown until the 70s, when "The Joker's five way revenge" (Batman #251 1973) made him back to a scary killer again.
It depends on taste, but to me the idea of someone using a joke cigar that explodes blow away a whole floor is quite brutal. It is brutal because it takes something "funny/harmless" and moves it to actually killing someone. In one comic he throws a cartoon 10 tons weight to someone. And you can see the blood of the crushed guy on the floor. I find that pretty dark. And I think that the contrast of bright colours, smiles and silly jokes while being a mass murderer is what makes the Joker an special character...
[1] http://comicbookmovie.com/images/users/uploads/27306/JOKER_f...
I am assuming you must have been talking about the Adam West TV series Joker.
I do observe the same trend as you however in general. I think the rise of of video games has a big role. People can play action movies now. If they are going to be reduced to spectators, the movies need to one up the games on other metrics like storyline and acting (rare), or effects and violence (more common).
http://scholarship.law.georgetown.edu/cgi/viewcontent.cgi?ar...
I think you may also like the essay {PDF warning} http://www.cgu.edu/pdffiles/sbos/costanzo_effects_of_interro....
I'd expect that the captor's expectation is that prisoners have a non-zero finite amount of useful information, and that in many cases the captor has some idea of how much and what kind of information the prisoner has. If the prisoner does not give up information, wouldn't the incentive for the captors to be to keep torturing because they are sure that there is something to get?
Strategically, it should be best for the prisoner to give up information that matches what the torturers were looking for, so that it is plausible that when the prisoner says he has no more that he is telling the truth.
Why shouldn't television reflect reality? Torture isn't wrong or illegal anymore in the US.
Because there's a cycle. TV reflects reality, but it also shapes reality. It shapes us.
> the evidence was [...] unashamedly destroyed
And without protest. I believe TV has made our society comfortable with torture, and thus we allow it to happen.
If you take the cultural studies view that our media is a reflection of our cultural unconscious, rather than a form of corporate speech from power.
>And without protest. I believe TV has made our society comfortable with torture, and thus we allow it to happen.
There was a ton of protest, and it didn't matter. It was the subject of hundreds of articles, and congressional questioning, and it didn't matter.
There's an illusion of control here. If you are arrested, and US intelligence agencies feel that you may be a friend of a friend of a Muslim of interest, you may be tortured - largely dependent on whether anyone knows you were arrested, and on what soil you were arrested on.
We allow it to happen because we love it, are indifferent to the suffering of foreigners and minorities, or are afraid of being tortured ourselves. Same reason they allow it to happen in Egypt, Turkmenistan, or anywhere else. Blaming it on TV is like blaming gun violence on video games.
That being said, when something purports to be a depiction of a historical reality, such as in Zero Dark Thirty, it is a travesty - but it's always a travesty when history is rewritten to glorify the powerful.
1. Knight Rider - not exactly torture but Michael was in a contest with someone else to tolerate pain, afterwards it was revealed the other person was not connected to the machine.
2. Star Trek - I can remember Kirk in a reclined chair on the Enterprise, looking up at something that was causing great pain.
2. ST:TNG - The Picard scene is memorable because it affected so many people due to the show's popularity.
3. Firefly - This was particularly well done / graphic because I think Nathan Fillion is very good physical actor.
One of the ways torture affects the lives of ordinary americans is through the Taser. Youtube has some eye-opening examples of tasers being used for the wrong reasons. Its a near impossible line to walk between non-lethal force and pain as coercion.
The issue is when you depict torture as a morally good, effective method of protecting people. Thats when people begin to believe that its an agreeable act.
I haven't watched enough pop culture (basically none of 24, for instance) to know how uncommon that is in comparison with torture for the sake of "Where is the bomb!?", but it is probably significant.
there will be a character, usually a bad guy, with a certain ideology that will be delegitimized (usually some sort of anti-status-quo or anti-power thing). sometimes they will portray the character's ideology as good-intentioned, to give an effect of objectivity in the storytelling. but ultimately this character will be shown to be misguided, emotional, immature, or otherwise ideologically inferior to the "good" character. i see this shit a lot in crime and law enforcement-focused shows. i'm sure some people would argue that i'm being hypersensitive and that there's no ulterior motive behind these portrayals, but i can't remember a single time that i've seen an anti-government or "rebellious" character not delegitimized in one of these shows.
yes, it's just a character, but our ideological positions are weighted quite a bit on these "stories" - for many people, more so than facts. many hard-line conservatives would get angry at being called a "liberal", not because of their political differences, but because on some level they embrace a story where liberals are milquetoasty, limp-wristed, privileged turtleneck wearers, and conservatives are hard-working everymen trying to do right by their family. many liberals, for their part, embrace similar but reversed stories about conservatives. sure, maybe if you read hacker news you don't base your political views on stereotypes like this, but these stereotypes do their work by remaining in the back of everyone's mind. for average americans that don't explicitly try to be objective in their political and social positions, these stories actually hold a lot of sway. our TV storytelling enforces and solidifies these sort of stereotypes.
Well, no. The purpose is usually to resonate with norms that the intended target audience is presumed to already have, so that that target audience will feel comfortable with the show, come back to it, and show good stats so that the network showing the show will be able sell ads targeting that audience, so that they will continue to pay the producers of the show, who will continue to pay the writers of the show.
Occasionally shows have propaganda that is inteded to shape opinions, but mostly they are written to make money, which means selling advertising space, which means appealing to the existing views of a target demographic above and beyond all other considerations.
At the very least, there are lots and lots of anti-institutional characters in U.S. television. Maybe it is unfortunate that lots of them are presented as being held back by a system gone soft.
And then a little of art imitating life, "real people are doing water boarding, the audience needs to see something worse than that"
Just perhaps not a SWAT team, specifically.
In the game, you are forced to participate in torture of a guy for absolutely no reason. You have to select torture methods, then manipulate the controls to adequately complete the mission.
In another mission, as another character, you're forced to perform an assassination for a government organization. As the scene unfolds, it becomes clear that they have no idea what they're doing, and they're just reacting immediately to low-quality intel.
Whats worse, showing torture or off screen killing people? These are not shows about bunnies and unicorns, they are about dangerous, exaggerated or fictional at best, subjects, and will not necessarily portray characters in the best of light.
In other words, anyone who follows the truth of torture use during a historical conflict will realize that it does not work well.
In fact, what worked better was to trick the person into revealing info. These were often set up as complex double and triple bluffs because the folks in charge knew that their prisoner would try to trick them back and therefore they had to outsmart the prisoner. In one case, the Nazis did a complex bluff where they booked up all the port time at three French ports, and all the rail shipping slots between France and Germany. They had two goals. To get a Soviet spy ring to report back with encoded messages containing the names of the three ports so that they could get a foothold in cracking their cipher, and convincing the English (and Soviets) that an invasion was imminent so that they would waste efforts. In fact the plan was to move additional forces to the Eastern front.
In that case the Soviet spies outfoxed the Germans when they learned that all the trains were empty and therefore did not report the port names in code. And this warned the Soviets of a German push coming up in the next few weeks so they were better prepared.
There are a lot of fascinating stories from the Eastern Front waiting for someone to take the trouble to overdub them in English.
I think it played a significant role in U.S. society's development over during the first decade of this century. Hell, I observed this, first hand, in my friends. When your erstwhile quite liberal and at least mildly "flower child" longtime friend -- who "can't" miss an episode of "24" -- starts telling you that maybe torture is necessary...
I hope Kiefer Sutherland has sleepless nights...
So often you see the "good guys" being badasses by using torture, brutality, or simply ignoring the rights of suspects. And frequently they are rewarded for it, lauded for it, and there aren't any downsides. The good guys never screw up, the suspected bad guys turn out to be the real bad guys, and so on. All of this has become cliche as storytelling elements in police procedurals, but they give people a very dangerous idea about the value of torture and the non-value of the rights of the accused.
It's so bad that the vast majority of people doing it don't even realize what they're doing, don't realize how much they are propagandizing torture and police brutality.
Selection bias: There's always been a generational slant, depending on whether revolutionaries or reactionaries were the more popolarly romantic at the time.
Truth: beatings hurt, and lead to more beatings. Pacificism always fails, except in art/fantasy.
Too lazy, depressed to cite the obvious. Wikipedia search quietly on your own.
(To those disappointed in the moral failings, hypocrisy of US, compared to grade-school patriotic version: Like Babe Ruth's boozing, FDR's disability, JFK's infidelity, polite media just didn't discuss certain unpleasantness. Guess what: it still doesn't. That's what worries me. And I'm the least conspiracy-minded malcontent I know.
The main difference between that scene vs. say Babylon 5 or StarTrek is not only the violence (for instance Captain Picard doesn't have electrodes connected to the end of his penis) but the fact the the person being tortured knows for a fact he will be killed after it's all over. There is not psychological game going on: the reason he ultimately divulges information is so that the pain will stop. He wants and begs them to kill him.
I've never seen an equally powerful scene in any movie or book.
However, it may say some things about the society where it's popular - '70s Britain wasn't a very happy place in some ways.
Torture isn't (despite what many say, wanting to believe that evil never works) completely ineffective at getting information. It gets some signal (and lots of noise) but it's inferior to, and also antagonistic to, more effective forms of interrogation. The world is morally murky, and it's rarely clear who the good and bad guys are, and it's a lot more effective to get someone to warm up to you and your cause. If you cause so much pain to inflict PTSD, you're never going to get someone on your side.
The "ticking time bomb" scenario is laughable when applied to real life. But it also makes one completely wrong assumption: that the torturer often wants the truth. Most who have used torture, throughout history, wanted the opposite.
Torture is very effective at "extracting" a completely distorted or just wrong account (false confessions and accusations) that can be used for political purposes, none good. If you want an exponential growth in the number of convicted witches, torture can do that, as world history has proven.
Who, indeed.
