If you don't want any frame stacking, you'd need to use a dedicated camera instead of a smartphone, because a smartphone without HDR isn't viable.
I have an old Android with a 13MP camera (Sony IMX214, 1/3.06") that leaves HDR off by default. I haven't had a need to turn HDR on except if I'm trying to photograph something with regions of extreme contrast.
But the aggressiveness of the de-noising in the native JPG/HEIF images otherwise is really unfortunate if you want to look at the images on a screen larger than the phone's screen. The amount of detail lost (other than in areas like people's faces where the phone knows to specialise) can be very considerable.
I'd really like a way to dial that aggressiveness down a fair bit, even at the cost of more noise/grain and larger file size (through less compression due to the extra noise).
Another thing is the amount of lens flare you can get when shooting at the sun for sunsets/rises, etc or other large bright light sources. With very small lens elements, from a physics perspective it's understandable that suppressing the reflections and inter-reflections is very difficult on such a small surface area (even with special coatings to reduce the fresnel reflection ratios), but if you care about image quality and wanting to look at images on screen larger than the phone which took them, larger format cameras still have some benefit despite their larger and heavier size and therefore inconvenience (looks at 5D Mk IV on shelf).
The best camera is the one you have with you. And this is why smartphones are so great, but the author also does a great job of expressing the limitations and problems.
I've worked as a professional photographer and videographer when between work. I've owned pro Nikon, canon and currently roll with some bonkers expensive leica gear. What makes smartphones so special as cameras is how easy they are taking unobtrusive photos of friends, family and kids. There are few things more frightening to me than a kid charging my way to rip the leica out of my hands because it looks so interesting. They don't do that with smartphones. Smartphones are especially stealthy because it's not clear what the user is doing with them. They could be just browsing the web or whatever. Are they taking video? Or a photo ect.
https://techcrunch.com/2018/10/22/the-future-of-photography-...
Not to say there is no movement on the other fronts. Glass was pushing for a crazy anamorphic lens and far larger sensor that would have been a serious improvement, but I don't know if it went anywhere.
https://techcrunch.com/2022/03/22/glass-rethinks-the-smartph...
I care way less about strict objective/subjective quality in comparisons and more about which one chooses the fastest shutter speed. You can have the best sensor, colour science and dynamic range in the world but if there is movement blur its unusable.
My pixel has been okay at this but I'm apprehensive about how to find good comparisons when I need to replace this phone.
Hopefully the camera doesn't upscale and then downscale again if told so save at its actual native-ish resolution.
the alternative, which many smartphone cameras do now, is to capture a burst of many photos of a short shutter speed and then combine them in software. For static things, this is equivalent to a longer shutter speed (with the additional advantage of not blowing out the highlights), and for moving things, we can filter in software to avoid smearing them out.
To counter the unnatural look of noise reduction I often add a film grain effect.
From what I remember, the core thesis is “take a lot of pictures and take the best parts”, which works for a surprising number of cases.
Having tried the iPhone Pro lenses, while impressive, the sensor size is never going to match a full-frame mirrorless.
The ISP pipeline that turns raw Bayer data into a JPEG includes black level correction, lens shading correction, defect pixel correction, demosaic, auto white balance, color correction matrix, tone mapping, multi-stage noise reduction (raw domain, luma/chroma in YUV, temporal across frames), sharpening, local contrast, and multi-frame fusion. Each stage has dozens of parameters and most of them are scene-dependent.
"Tuning" means months in a light booth shooting color charts at every CCT from roughly 2300K to 7500K, then more months outdoors capturing skin tones across ethnicities, foliage, sky at different times of day, neon, candles, fluorescent shop lighting, mixed lighting. Every sensor + lens module gets its own calibration. Then you tune the perceptual layer on top: skin tone preservation, sky and foliage segmentation feeding AWB, AE metering weights with face priors, highlight roll-off, the chroma vs luma noise tradeoff across frequency bands.
This is why two phones with the same Sony IMX sensor look completely different. Sony ships a reference tuning. Apple and Google throw it away. Pixel phones famously have small sensors and beat phones with 2-3x the sensor area on real-world output, almost entirely on the strength of ISP tuning and computational photography stacked on top.
The headcount is genuinely large. Apple and Google each have camera organizations in the hundreds, with a substantial fraction doing nothing but tuning: color scientists, ISP tuning engineers, perceptual quality engineers running blind A/B against competitor output. It's why nobody else -- not Samsung, not Xiaomi, not the smaller players -- quite matches them even when they buy the same or better sensors. (Disclosure: I run a camera company and we live this problem.)
The sensor size advice in the article is correct but easy to misread. A small sensor with great tuning regularly beats a big sensor with mediocre tuning, and the gap is bigger than people expect.
