I know how to get Claude multi-agent mode to write 2,500 lines of deeply gnarly code in 40 minutes, and I know how to get that code solid. But doing this absolutely pulls on decades on engineering skill. I read all the core code. I design key architectural constraints. I invest heavily in getting Claude to build extensive automated verification.

If I left Claude to its own devices, it would still build stuff! But with me actively in the loop, I can diagnose bad trends. I can force strategic investments in the right places at the right times. I can update policy for the agents.

If we're going to have "software factories", let's at least remember all the lessons from Toyota about continual process improvement, about quality, about andon cords and poke-yoke devices, and all the rest.

Could I build faster if I stopped reading code? Probably, for a while. But I would lose the ability to fight entropy, and entropy is the death of software. And Claude doesn't fight entropy especially well yet, not all by itself.

Francis Bacon and The Brutality of Fact is a wonderful documentary that goes over this. Bacon's process was that he painted every day for a long time, kept the stuff he liked and destroyed the crap. You are just not seeing the bad random knob twiddling he did.

Picasso is even better. Picasso had some 100,000 works. If you look at a book that really gets deep to the more obscure stuff, so much of Picasso is half finished random knob twiddling garbage. Stuff that would be hard to guess is even by Picasso. There is this myth of the genius artist with all the great works being this translation of the fully formed vision to the medium.

In contrast, even the best music from musical programming languages is not that great. The actual good stuff is so very thin because it is just so much effort involved in the creation.

I would take the analogy further that vibe coding in the long run probably develops into the modern DAW while writing c by hand is like playing Paganini on the violin. Seeing someone playing Paganini in person makes it laughable that the DAW can replace a human playing the violin at a high level. The problem though is the DAW over time changes music itself and people's relation to music to the point it makes playing Paganini in person on the violin a very niche art form with almost no audience.

I read the argument on here ad nauseam about how playing the violin won't be replaced and that argument is not wrong. It is just completely missing the forest for the trees.