I see your point, but I view it through a different lens. In painting, the mastery of 'blank space' (negative space) is as vital as the brushstrokes themselves. For a project like OpenBSD, the discipline to not implement a feature—unless it can be done perfectly and securely—is a rare form of restraint. In an industry obsessed with feature bloat, this 'lack' isn't a deficiency; it’s an aesthetic and philosophical statement.
