Tools do not dictate what art is and isn't, it is about the intent of the human using those tools. Image generators are not autonomously generating images, it is the human who is asking them for specific concepts and ideas. This is no different than performance art like a banana taped to a wall which requires no tools at all.
A human using their creativity to create a painting showcasing a statement about war.
A human asking AI to create a painting showcasing a statement about war.
I do not wish to use strawmen tactics. So I'll ask if you think the above is equal and true.
One person spent years painting landscapes and flowers.
The other spent years programming servers.
Is one persons statement less important than the other? Less profound or less valid?
The "statement" is the important part, the message to be communicated, not the tools used to express that idea.
In my opinion, yes. But that's the entire point here: art is in the eye of the beholder. I think much much much less of AI-generated art than I do of human-generated art. Even if an artist who is well-known for his human-generated art were to use an AI to make art, I would still likely think less of that art than of their earlier work.
> The other spent years programming servers.
I will be the first to shut down people who try to say that programming isn't a creative endeavor, but to me this is not "art".
> The "statement" is the important part, the message to be communicated, not the tools used to express that idea.
I don't agree with that. Consider just regular argumentation. If I'm trying to argue a point, how I express my argument matters. The way in which I do it, the words I use, whether I am calm and collected or emotional and passionate, perhaps graphs or charts or some other sort of visual aid, all of that will influence whether or not you buy my argument.
So If art is to make a statement, each individual has to believe that the way it's presented is powerful and resonates with them. This is a personal thing, and people are going to differ in how they react.
To whom?
One of my favorite quotes is "The product of your art is you." (I heard it from Brandon Sanderson, not sure if he's the original.) I have come to believe this is true on multiple levels. So in your example, I can answer "they're both equally valid and profound" assuming they put similar levels of effort, skill, and basically themselves into that work.
I think that's the part where generative art falls behind. Sure, I can generate some art of a frog, print it, and hang it on my wall. But the print next to it, that I took with my actual camera after wading through a swamp all day? That will have much more profound meaning to me.
Excellent question though. I had to think for awhile on this, and most importantly, I learned something while doing it. Thank you.
In what logical or philosophical framework does my opinion dictate your opinion? You're not making a grand philosophical point, you're frustrating the attempts of other people to understand your point of view and either blocking them from understanding your point of view or addressing your argument in a meaningful way.
If you cannot or will not engage in the conversation it would be more efficient and more purposeful for you to say so than the "whatever you say is what I say" falseness you're expressing in the above comment.
1: https://news.artnet.com/art-world/italian-artist-auctioned-o...
It was considered "anti-art" at the time, but basically took over the elite art world itself and the overall movement had huge impact on what is considered art today, on performance art, sculptures, architecture that looks intentionally upsetting etc.
It's not useful to try to think of the sides as "expansive definitionists" who consider pretty much anything art just because, and "restrictive definitionists" who only consider classic masterpieces art. The divide is much more specific and has intellectual foundation and history to it.
The same motivations that led to the expansive definition in the personally transgressive, radical and subversive sense today logically and coherently oppose the pictures and texts generated in huge centralized profit-oriented companies via mechanization. Presumably if AI was more of a distributed hacker-ethos-driven thing that shows the middle finger to Disney copyrightism, they may be pro-AI.
As an aside:
...art should be able to come from anywhere and anyone.
is an immensely political view (and one I happen to agree with). It's not a view shared by all artists, or their art. Ancient art in particular often assumes that the highest forms of art require divine inspiration that isn't accessible to everyone. It's common for epic poetry to invoke muses as a callback to this assumption, nominally to show the author's humility. John Milton's Paradise Lost does this (and reframes the muse within a Christian hierarchy at the same time), although it doesn't come off as remotely humble.It was the intellectual statement conveyed through that medium that made him famous.
Similar, music is not music, but rather the thought of an musician manifested is what we call music. This is why silence can be music, but silence without the thought is not.
Images generated through an AI that lacks the human thought is not art. It can look like art, have similarities to art, but it is no more art than silence is music. Same goes to music and text generated by AI.
People can inject defective thoughts into the process like "what generates me most money" or "how can I avoid doing any thinking", in which case the output of the AI will reflect that.
Obviously, the answer is yes; musical instruments, including synthesizers, can be music and art.
If generating the piece costs half a rain forest or requires tons of soul crushing badly paid work by others, it might be well worth considering what is the general framework the artist operates in.
Using more resources to achieve subpar outcomes is not generally something considered artful. Doing a lot with little is.
> It is not necessarily the case that "Using more resources to achieve subpar outcomes is not generally something considered artful. Doing a lot with little is." as not all artists will agree and even those that do might not follow it. For example, certain pigments in painting could be highly unethically sourced but people still used them and some still do, such as mummy brown, Indian yellow, or ivory black, all from living organisms.
I put forward the proposition "Using more resources to achieve subpar outcomes is not generally something considered artful. Doing a lot with little is." - yet you argue "but there are exceptions" - i know that, hence my usage of the term "generally". I'll be glad to learn how my proposition is wrong, but not inclined to defend your strawman