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I believe Vishay's ±0.2ppm/°C TCR is a materials science process specific to one of the companies they own, so that is also a reason they can charge quite high prices.
If you don't need that kind of TCR (i.e. your part is not going to space) the price should go down considerably for a thin film NiCr resistor (5 ppm - 25 ppm). There is actually a lot more direct sales and custom design volume than I would have expected when I started in this industry, so what you see on Digi-Key is not the entire market.
If you know what you're doing a 50 cent opamp will give you results that are beyond what a human could identify in a double-randomized blind test. Same goes for comparing two rusty pieces of wire against highly pure copper speaker cables.
For some reason audiophiles will use darn massive gold (or silver) RCA connectors instead of something like a balanced connection that would actually make sense.
For audio applications 1% resistors are fine. You can use still affordable 0.1% in places where you truly care. Below that it is getting ridiculous, as the influence of harder to match things will take over. Things like speakers or the room they are placed in. How about the speed of sound changing with air temperature and humidity? You better have a room that has uniform and stabilized air temperature and humidity.
A big part of the audiophile game is about psychological impact and the joy of personalized optimization. I spent a lot of money on audio equipment and a lot of time on researching it myself. It is an interesting thing. But in the end it is also physics that are interpreted by your brain and I can't help but feel bad for people who need to (incoming hyperbole) turn every part of their setup into gold in order to be able to enjoy listening to their equipment as music passes through it.
Is there a reason why they don't just use digital audio everywhere and convert to analog as late as possible? Inside the speakers for example? I mean, digital audio is pretty much perfect. Why are analog audio signals still a thing? People actually pay thousands of dollars for magical analog audio cables and it boggles my mind.
It's hard to find XLR (or even TRS) balanced connectors on most non-professional (=TV studios, expensive conference room setups, DJs/clubs/similar venues) equipment.
But what happens if you don't like the music coming out of your stereo? No gold-plated connectors can cure that.
