Compositing like this is a nearly inevitable part of almost all product photography, I think? Anything that has motion will lean towards compositing for all the surrounding elements. Except those incredible people who built motion rigs for burger drop ads.

Capture One (the kinda sorta still industry standard tethering/photography capture software in the marketing industry, for all the high-end kit) has a really nice tool to help with previsualising compositing live.