A company can't take a photo from your Facebook and plaster it across an advertisement for their product without you giving them the rights to do that.
And if you're a known public figure, this includes lookalikes and soundalikes as well. You can't hire a ScarJo impersonator that people will think is ScarJo.
This is clearly a ScarJo soundalike. It doesn't matter whether it's an AI voice or clone or if they hired someone to sound just like her. Because she's a known public figure, that's illegal if she hasn't given them the rights.
(However, if you generate a synthetic voice that just happens to sound exactly like a random Joe Schmo, it's allowed because Joe Schmo isn't a public figure, so there's no value in the association.)
https://en.m.wikipedia.org/wiki/Midler_v._Ford_Motor_Co.
Bette Middler successfully sued Ford for impersonating her likeness in a commercial.
Then also:
https://casetext.com/case/waits-v-frito-lay-inc
Tom Waits successfully sued Frito Lay for using an imitator without approval in a radio commercial.
The key seems to be that if someone is famous and their voice is distinctly attributeable to them, there is a case. In both of these cases, the artists in question were also solicited first and refused.
> In a novel case of voice theft, a Los Angeles federal court jury Tuesday awarded gravel-throated recording artist Tom Waits $2.475 million in damages from Frito-Lay Inc. and its advertising agency.
> The U.S. District Court jury found that the corn chip giant unlawfully appropriated Waits’ distinctive voice, tarring his reputation by employing an impersonator to record a radio ad for a new brand of spicy Doritos corn chips.
https://www.latimes.com/archives/la-xpm-1990-05-09-me-238-st...
Plus the tone of the voice is likely an unimportant detail to theor success. So pushing up against the legal boundaries in this specific domain is at best strange and at worst a huge red flag for their ethics and how they operate.