I just do not buy this idea of "hyperreality", or that somehow media representations meaningfully "distort reality". Actually, the gulf war DID happen (Baudrillard thinks that it didn't because of the media). The map is NOT the territory. The medium is NOT the message (or even a "massage", but maybe a "mass age"). I do not deny that a medium has impact on the message, but this notion of it being identical or even worth speaking about as though they are identical is so alien and absurd to me I cannot even figure out where it started.
I will give credit to Marshall Mcluhan for not writing in an insufferable or "fashionable nonsense" style like the others I have compared him to. He is a fine but definitely overrated author.
(do I think he probably took too much LSD and got high on his own theories? yes. but its at least adequate as a predictive starting point - and what more can we ask of any model?)
"The Medium is the Message" because without context (the media), messages are just noise. McLuhan was all about seeing the contexts we live in, how they shape our reality, etc.
Maybe a cameo in a movie meant that McLuhan didn't take himself too seriously. I find his ideas relatively 'approachable', although I'm fairly skeptical whenever reading any philosophical work. Just recently, I had to deal with phenomenological and heuristic approaches to qualitative studies. I see some value, but (as a scientist) the lack of rigor and consistency makes my head spin.
Ludwig Feuerbach and the End of Classical German Philosophy (1886) by Friedrich Engels, published after the death of Karl Marx, is one of the best summaries of the late development of classical German philosophy in particular. It's written in a fairly accessible style as long as you grok the Hegelian/Marxist idealist/materialist definitions.
This revolution in Western thought is best summarized by Marx in his final Thesis on Feuerbach (1845): "Philosophers have hitherto only interpreted the world in various ways; the point is to change it."
The upshot is that the best way to understand writers/philosophers like McLuhan is rather to understand their audience. Which bits of "fashionable nonsense" is sticking, and how does this reflect the conditions and interests of the audience? Presume market forces before presuming intellectual rigor.
You're going to have to explain this one with a quote from him.
Baudrillard argued the Gulf War was not really a war, but rather an atrocity which masqueraded as a war. Using overwhelming airpower, the American military for the most part did not directly engage in combat with the Iraqi army, and suffered few casualties. Almost nothing was made known about Iraqi deaths. Thus, the fighting "did not really take place" from the point of view of the West. Moreover, all that spectators got to know about the war was in the form of propaganda imagery. The closely watched media presentations made it impossible to distinguish between the experience of what truly happened in the conflict, and its stylized, selective misrepresentation through simulacra.
https://en.m.wikipedia.org/wiki/The_Gulf_War_Did_Not_Take_Pl...
Baudrillard's concept of "simulacrum" is connected, and perhaps more interesting, even if attempting to apply it to the world results in weird claims like this one about the Gulf war.
There was even a word for it : verzuiling [0]
It's easy to construct refined models of the world, but it ultimately isn't particularly useful and readers often get lost in this world of ideas and end exploring things they've been told rather than things they've seen. You eventually end up with something akin to scholasticism.
Once you start to notice it, we use a lot of very complicated terms and ideas in our daily language, but it's often not immediately obvious what we mean. I often come across people talk about ideas as though they had wishes and intents. Peculiar thing. Anyway I don't think adding onto that pile of long complicated words makes the situation better.
https://www.amazon.com/Classical-Trivium-Place-Thomas-Learni...
You might be able to find a copy at a library. It's not at Archive.org / OpenLibrary or LibGen. Yet.
https://www.worldcat.org/title/classical-trivium-the-place-o...
http://loginzlib2vrak5zzpcocc3ouizykn6k5qecgj2tzlnab5wcbqhem...
The global action 3D MMO that is built and modified by the user is the USP of the final medium: programming the internet!
Learned something new today: https://www.shmoop.com/grammar/spelling/media-vs-medium
Thx!
Linked by the submitter is the video; the text is at https://archive.org/details/Marshall.Mcluhan..The.Medium.Is....
Why is the title of the book The Medium is the Massage and not The Medium is the Message? The title is a mistake. After the book came back from the typesetter's, it had on the cover 'Massage'. The title was supposed to read The Medium is the Message, but the typesetter made an error. After McLuhan saw the typo, he exclaimed, 'Leave it alone! It's great, and right on target!' Now there are four readings for the last word of the title, all of them accurate: Message and Mess Age, Massage and Mass Age.
I've 'massaged' the title above - seems most in McLuhan's spirit.
And there's also a 1999 documentary film about McLuhan entitled "Out of Orbit: The Life and Times of Marshall McLuhan": https://ubu.com/film/mcluhan.html
Years ago, I would spend hours browsing UbuWeb. What a treasure trove! It also pays to point out that while the site was launched in 1996 (by artist-poet Kenneth Goldsmith), its UI has remained more or less the same since about 2005.
That documentary is watchable via https://ubu.com/film/mcluhan_orbit.html. I intend to. Thanks!
panic
(Consistently with the text: «Innumerable confusions and a profound feeling of despair invariably emerge in periods of great technological and cultural transitions. Our "Age of Anxiety" is, in great part, the result of trying to do today's job with yesterday's tools - with yesterday's concepts.»)
This is Marshall McLuhan: The Medium is the Massage (1967) [video] - https://news.ycombinator.com/item?id=9404250 - April 2015 (27 comments)
By now, of course, the sentiment has permeated the culture—so in the recent discussion on Codex Seraphinianus, the comments immediately derail it to works that are ‘weird’ but play with the form at least as much as the content: https://news.ycombinator.com/item?id=29413428