> Anyway: Chaos Monkeys contains scenes from Antonio’s private relationships. Characteristically, they’re painted as comedies, where his personal life is depicted as an unpredictable third party over which he has little control — only occasionally, it seems, does it even listen to his suggestions. He meets a woman via Match.com whom he calls British Trader, “an imposing, broad-shouldered presence, six feet tall in bare feet, and towering over me in heels.”
He’s enthralled, but everything about her is a surprise that keeps him off balance, from the fact that her “strapping and strutting” South African ex-boyfriend docks a boat next to his not long after their first date, or that she sleeps on “a cheap foam mattress about the width of an extra-jumbo-sized menstrual pad” above a floor covered from detritus from a recent renovation. She did such work herself because, Antonio explains, “she made Bob Vila of This Old House look like a fucking pussy.” Even this side of her life has him tiptoeing. “Postcoitally it was all I could do to balance myself on the edge of the pad and off the drywall dust,” he noted.
At one point, as a means of comparing the broad-shouldered British DIY expert favorably to other women he’d known, he wrote this:
Most women in the Bay Area are soft and weak, cosseted and naive despite their claims of worldliness, and generally full of shit. They have their self-regarding entitlement feminism, and ceaselessly vaunt their independence, but the reality is, come the epidemic plague or foreign invasion, they’d become precisely the sort of useless baggage you’d trade for a box of shotgun shells or a jerry can of diesel.
Out of context, you could, I guess, read this as bloviating from a would-be macho man beating his chest about how modern “entitlement feminism” would be unmasked as a fraud in a Mad Max scenario. In context, he’s obviously not much of a shotgun-wielder himself and is actually explaining why he fell for a strong woman, as the next passage reveals:
British Trader, on the other hand, was the sort of woman who would end up a useful ally in that postapocalypse, doing whatever work—be it carpentry, animal husbandry, or a shotgun blast to someone’s back—required doing.
Again, this is not a passage about women working in tech. It’s a throwaway line in a comedic recount of a romance that juxtaposes the woman he loves with the inadequate set of all others, a literary convention as old as writing itself. The only way to turn this into a commentary on the ability of women to work in Silicon Valley is if you do what Twitter naturally does and did, i.e. isolate the quote and surround it with mounds of James Damore references. More on this in a moment.
https://taibbi.substack.com/p/on-the-hypocrites-at-apple-who... ----------
