It's just some funny drawings and internet fanfic twigging our sense of novelty on HN now, but when you see it as representing the desires and longings of young people for wilderness, and also know people who left cities in the last 10y, they were the thin edge of the wedge, where post-pandemic, younger people are leaving cities to get on the real estate ladder, with remote work and amazon-style supply chains, and they are family-inclined. It incorporates passive and renewable energy techs, argritech, biotech, cannabis-driven value added production, organic and small scale food production, brewing and distilling, civic minded prepping, local vs. global, etc.
I'm interested in when solarpunk blips on the radar because to me it is an aesthetic that represents new growth.
Start w/ small community, build a glamping sustainable living space...
Tent living but not complete roughing it, communal shower, restrooms, kitchen, gardens, laundry, and worker spaces...then little living areas will be setup by families with gates so children don't run off, or get lost.
I think mvp needs:
Living areas. Land. Storm safety spot. Restrooms. Showers. Food Prep area. Solar/Electricity. Water.
Ideally in warmer climes as tents/yurts I think would be hard to keep warm in winter than cool in summer...
The idea being that the commune could pool resources and grow/expand and work towards fixing earth by making it fashionable to live in such communities...
https://en.wikipedia.org/wiki/Deadhead
https://en.wikipedia.org/wiki/Irish_Travellers
https://en.wikipedia.org/wiki/Pilgrims_(Plymouth_Colony)
https://en.wikipedia.org/wiki/Father_Yod
I'd say, start a band or a music festival, then just keep it going. The other ones, ymmv.
The neo-utopian evolution of "dropping off the grid" into "mesh networked sustainable resilient community" is a vision and ethos I can get behind. There has been a lot of loose talk in my circles about Foundation-like ideas for surviving the coming dark years, which I think of as "cultural VPN"... this is a very compelling way to articulate some of those and inspire with it.
Going to think about this in the mountains for a few weeks...
I'm not sure that tree-shaped houses covered in glass are a good way to achieve that. In the future we're facing most of these buildings look like they'll be solar ovens in the summer and painfully cold in the winter.
This sort of organic-growth-everywhere aesthetic is not new, it has been in utopian urban visions for the last 20 or 30 years. Personally I think it started with SimCity 2000 arcologies, but I am probably wrong.
Hard disagree. I think "punk" has always been about an ethos that individuals are empowered to make change from the bottom up. The punk aesthetic stands between dystopian and utopian. The former says those in power have made everything horrible and there's nothing you can do about it. The latter says those in power make everything amazing so there's nothing you need to do. Punk says those in power made everything horrible but you can make things amazing.
I disagree, "punk" is not about dystopia, it's about rebelling against the status-quo. Solarpunk, at its core, is about rejecting our current way of life. That's where the punk comes from.
I agree with the sentiment though, just wonder if it would benefit from someone positing a middle-ground that would show a transitional approach. Perhaps some of the larger buildings (I'm thinking of the one with the fountain spilling down it) represent that.
I think I also have become quite cynical. Being confronted with these ideas made me aware of that in a startling way.
After some research it turns out apparently these two are brothers!
If we can fix that, we'd be well on our way to realizing better living spaces like the artist (among many others, myself included) dreams of.
https://noahpinion.substack.com/p/drawing-pictures-of-cities
PS: The spelling is actually "Zeitgeist" if you ever need to search for that (even though I would assume that search engines would deal with the typos just fine).
Having visited Barcelona and seeing Gaudi's influence on the architecture there, I understand how a few notable buildings could actually influence the peoples' mindsets.
There has been a ton of advancement in ecological solutions and biomimicry, but tying those changes to design that mirrors nature in an art nouveau way could translate the underlying complexity to something our lizard brains will understand at a glance - it is a powerful abstraction that ties together our innate desire for a safe corner of nature and our social desire for something new and cool.
The artists appear to be inspired by fad concept renderings for sky-garden towers that were never built:
https://99percentinvisible.org/article/renderings-vs-reality...
“Taking LSD was a profound experience, one of the most important things in my life. LSD shows you that there’s another side to the coin, and you can’t remember it when it wears off, but you know it. It reinforced my sense of what was important—creating great things instead of making money, putting things back into the stream of history and of human consciousness as much as I could.”
― Steve Jobs
Cyberpunk and steampunk both fetishize aesthetics from the past - 80's corporate Japan and the Victorian Britain, respectively, - there's a sort of nostalgic longing that keeps them culturally relevant. Solarpunk tries to fetishize sustainability in a similar way, but I'm not sure if there's enough foundation there to build onto.
Cyberpunk has only become nostalgic lately.
“ Perhaps you might have also picked up on one of the more discreet but omnipresent characteristics of Schuiten’s work (and thus the Solarpunk aesthetic), which is his undeniable appreciation for Art Nouveau.”
Its proponents seem to be flogging the Green New Deal, or related policies, but is this spontaneous, done out of conviction, or is it more coordinated?
I guess not.
The punk ethos is primarily made up of beliefs such as non-conformity, anti-authoritarianism, anti-fascism, anti-corporatism, a do-it-yourself ethic, anti-consumerist, anti-corporate greed, direct action and not "selling out".
The main difference would be that Dean forcused more on the art, while Schuiten focused more on the architecture part, but both seem pretty close indeed, and I would not be surprised if they knew each other
Recently read this on the topic, the artist in the post is great: https://noahpinion.substack.com/p/drawing-pictures-of-cities
Create communities for singles/families... master-planned cities if you will..or more loosely communes...
Homes are maybe some sort of tent/yurt on a pedestal with a bed.
The community has a campus building with restrooms, showers, kitchen, cubicles (for work from home), farm-land for planting crops, solar panels, etc..
The area would have playground equipment, exercise equipment, outdoor sports/games, a makerspace/library with tools, toys, big toys (4-wheelers, etc), that people can 'check out' and use.
I feel a lot of the problems w/ society is everyone has to own a drill, when one drill per street that anyone can access probably makes more sense, maybe 2 or 3 max... but still if we could just curb our need to "own" things.
A shared "library" of everything from toys for kids to video games for consoles, to books, to tools and 3d printers, etc...would be pretty awesome.
I think of it more in a utilitarian manner than aesthetically lots of glass/trees on skyscrapers that nobody who wants to do something in this space could ever afford to build, so it definitely remains a pipe-dream...
Fashionable glamping communities could pop up super fast and be sustainable and fun.
In many regards we're far from that dream but having a concretisation of what the end result could look like (and/or depictions of how to get there) in the shape of Solarpunk should help.
* ideas from new urbanism to greenify the urban core with its dense streets, to make them a nicer place, which is a good idea. * the old modernist ideas of detached houses, now in "ecological" form, which is a total utopia, exactly as it was stated in the Athens Charter.
They also seem to look like Frank Lloyd-Wright's words that "sometime people will live in an entirely rural landscape with houses 100 meters apart from each other and greenery and trees between them" (he hated cities quite a lot) (here's one of his houses, sometimes posted with a motivator text below: https://duckduckgo.com/?q=frank+lloyd+wright+waterfall+house...)
The first part of these, is generally a good thing, but has to be done moderately. I see some images have curves and round forms, which is not a necessity, but rather an attempt to make a nicely looking bird view, which causes various inconveniences -- like park paths that are never walked by, or cut corners.
Curved grass strips are especially a problem: if people walk over them, they have to be protected by fences, or by elevating them -- in this case it 1) will require artificial watering, 2) will produce side pockets, unusable for walking (but hopefully used for benches).
Andres Duany said a lot about this in his lectures, and I can only sum it up as greenery in the city is needed, but has to be done cautiously and reassessed critically. https://www.youtube.com/watch?v=hO3CaJtSfjg
The other half of the images are mostly reshaped detached houses or modernist apartment blocks. Same Duany criticizes the detached house concept a lot -- it costs much, it makes people have tons of stuff, drive cars, live in isolated way, unlike the urban dwellers (I followed these ideas when buying apartment, and never regret -- I felt a lot better near a small city center, than before that living on the fringe.)
The modernist concept of apartment blocks and large green spaces between them appeared as an answer to extremely dense cities of 19th century, which were hardly livable without our modern tech (tap water, sewer, central heating, electric light and active ventilation). The most promiment responses were Garden City Movement (basically, make towns not more than 60K ppl, put them at some distance with forests and fields between, and connect with railways), and Athens Charter (build cities of large apartment blocks standing apart from each other, no closed perimeter like in traditional cities, have greenery betwee, and make city blocks large to let cars go without intersections).
The latter was widely implemented in the Socialist block from East Germany to Vladivostok, and failed in many ways.
Jan Gehl saw this development in socio-democratic Denmark and criticized for 1) places devoid of any street retail and other local business, because streets are too wide, which made people commute or drive a car to city center to get services, and 2) de-socialization. In a large apartment block it's hard to meet and get along with neighbors for many purely physical and psychological reasons.
The Human Scale documentary sums up Gehl's points: https://vimeo.com/458139267
------
I read their manifesto that appeared earlier, and that's fine.
The problem is with these pictures: to me they seem simply a fashionable landscape design with lots of trees, or detached houses with strange shapes. The former is just arts, and I don't see it reflecting any new thinking. The latter is new attempt at century-old failed ideas.
What would I offer instead? High-speed commute rail in Germany, Netherlands and maybe Scandinavia, made Garden City ideas actually happen. You can work in a large city, but live an a town in 30 km (20 mi), commute in 40 minutes, but near your home you have both, all the great things of a city (cafes, services, meeting friends in the main street) and of countryside (10 minutes to the city edge and hike or bike). Or you can have a business that is entirely in a small town but has easy access to large markets in big cities -- just 1 hour in train.
We have a wild garden, and people often ask if there are not bugs everywhere, and tell us they like grass to keep the bugs away. Well quite contrary - our findings are, that in our wild garden, bugs are around the plants, in the plants, but they are not are problem in the spaces we have created for ourself at all. I think people have misunderstood why insect swarm.
If anything the bug problem might be slightly improved since the ecology would be friendlier to things that eat bugs, such as frogs, lizards, and bats.
Of course, then you've got the problem of frogs and lizards getting into your house. And, ultimately, things that like to eat frogs and lizards, like snakes.
Bug populations are down 80%, anything we do to help them is needed.
I recently drove an old van through the countryside and had to spend 20 minutes washing off insect bits afterwards, like in the good old days...