TPB and digital piracy in general functions as a library of Alexandria. Nobody in our society gives a shit about keeping things available. It's all about NOW and MONEY. So much entertainment would be lost without the internet.
And yes. Every photocopy a text book? Ever trace out a comic book panel or other image? Ever make copies of a photo (obviously more common digitally, but could be done in the film age too) that you didn't take originally? I've done all of them, they're all things I'm not legally entitled to do.
Also I think this is a European law.
But, to the OP's point, I totally agree digital changes the equation. But it should also change the law. Theoretically having an img tag that references someone else's site could be thought of as illegal, after all. I'm reproducing the work without authorization, and even making money from it (ad impressions on my site rather than the hosting site), -while costing the original site money- (since they still pay the hosting and bandwidth costs). Digital changed -everything-, because the cost to copy went to 0. The laws have not kept up.
When discussing the validity of copyright laws, using legal entitlement as an argument is pretty circular, don't you think?
Do you give proper credit to the creator/author/inventor/discoverer of that knowledge, or refrain from using it?
The question isn't whether this happens to be legal or not, the question is whether it should be, and to what extent.
Do you have any example which you were wanting to compare to, or was the question deliberately open-ended?
But the problem, just like with patents, is that there a many kinds of actors in our modern world, including large companies who couldn't really care less. A company like Disney would, I think, be more motivated by a 5 or 10 year copyright period, as it would require them to keep on producing and innovating.
If we're talking about great, innovative artists, I think few of them actually benefit much from the copyright system anyway.
This is a really stunning claim and one that needs a lot more defense than you're giving it. I can think of countless innovative musicians, film directors, and authors who benefit from selling back catalog that's 10-20+ years old. I'd be happy to furnish a list if such a thing is necessary, but as it is your statement seems absurd on the face of it.
maldusiecle: I can think of countless innovative musicians, film directors, and authors who benefit from selling back catalog that's 10-20+ years old
I'd love to see more support for both sides of this argument. My guess would be that olau and maldusiecle may not have much overlap in the list of artists that they consider innovative. I'm probably closer to olau's position: while there are artists who benefit from copyright, they tend to be the ones who have chosen to concentrate on the commercial potential of their work rather than innovation. And I'd guess that most of those who are "doing art for art's sake" would do as well or better under a much less restrictive copyright regime.
Lets face it: if you haven't made your profit in 5 years you never will and the loss will have been written of.
Edit: actually it's ~$200 per household (depends on the value of the property)
