The shot has power lines in it, but they're not really the focus. It's a busy nightlife scene, and the power lines serve that effect.
In the Patlabor shot, the detailed power infrastructure is a bit more purposeful, adding to the atmosphere of an average suburban neighborhood full of average people. But again, it's not the star of the shot -- it's just one of a handful of choices that create the mood.
In Evangelion, the shots are framed to draw your attention to a wooden pole with a transformer box that was probably designed in the '60s, serving as a stark contrast with all the futuristic technology around it.
